Friday 16 December 2011

chittirai puthadu

No.Month (Tamil)Month (English)Sanskrit Name *Gregorian Calendar equivalent
01.சித்திரைCittiraiChaitramid-April to mid-May
02.வைகாசிVaikāciVaisākhamid-May to mid-June
03.ஆனிĀniJyaishthamid-June to mid-July
04.ஆடிĀṭiĀshāḍhamid-July to mid-August
05.ஆவணிĀvaṇiShrāvaṇamid-August to mid-September
06.புரட்டாசிPuraṭṭāciBhādrapada/Prauṣṭhapadamid-September to mid-October
07.ஐப்பசிAippaciAshwinamid-October to mid-November
08.கார்த்திகைKārttikaiKārttikamid-November to mid-December
09.மார்கழிMārkazhiMārgaṣīrṣamid-December to mid-January
10.தைTaiPausha/Taiṣyamid-January to mid-February
11.மாசிMāciMāghamid-February to mid-March
12.பங்குனிPaṅkuniPhalgunamid-March to mid-April
this chart enough to proof that tamil puthadu must celebrate at chittarai... if you trust in thiruvaluvar years so you must follow the chittarai puthadu....DON'T STICK ON OTHERS DECISION...FOLLOW TAMIL' MARAPU AND LOVE TAMIL'S PURE RULES

Sunday 6 November 2011

Short and Hot facts (Bodhidharma)

Bodhidharma, the twenty-eighth
patriarch of India, and the first
patriarch of China, was thye third son of 
Incense arrival, the kong of a country in sounthern India
He was of the noble caste and his name was originally
Bodhitara.He encountered Prajnatara, the
twenty-seventh patriarch of Chan, when the latter visited
the king and was offered a gift by him. With the gem
that had been given him,Prajnatara tested Bodhitara's 



spirituality, as well as that of his two brothers, and 
learned of Bodhitara's hidden vocation.
Master Prajnatara said to him, "You have comprehended 
the dharma, which means you have penetrated the Great 
Matter.  You should be called Dharma. I rename you 
Bodhidharma

Bodhidharma (Sanskrit)
Pu Ti Da Mo (Chinese)
28th Indian Osho Zen Master
His master :- Prajnatara (India)
    His disciple:  Huike (China)





Bodhidharma known as damo

Bodhidharma 
Bodhidharma was a Buddhist monk who lived during the 5th/6th century and is traditionally credited as the leading patriarch and transmitter of Zen  (Chinese: Chán, Sanskrit: Dhyāna) to China. According to Chinese legend, he also began the physical training of the Shaolin monks that led to the creation of Shaolinquan. However, martial arts historians have shown this legend stems from a 17th century qigong manual known as the Yijin jing.

Little contemporary biographical information on Bodhidharma is extant, and subsequent accounts became layered with legend, but some accounts state that he was from a Brahmin family in southern India and possibly of royal lineage. However Broughton (1999:2) notes that Bodhidharma's royal pedigree implies that he was of the Kshatriya warrior caste as royals cannot be Brahmins as per the Indian caste system. There have been many different versions about his place of birth, one being that he is from Kanchipuram in Tamil Nadu,India.
After becoming a Buddhist monk, Bodhidharma traveled to Chian. The accounts differ on the date of his arrival, with one early account claiming that he arrived during the Liu Song Dynasty(420–479) and later accounts dating his arrival to the Liang Dynasty (502–557). Bodhidharma was primarily active in the lands of the Northen Wei Dynasty (386–534). Modern scholarship dates him to about the early 5th century.
Throughout Buddhist art, Bodhidharma is depicted as a rather ill-tempered, profusely bearded and wide-eyed barbarian. He is described as "The Blue-Eyed Barbarian" in Chinese texts.
The Anthology of the Patriarchal Hall (952) identifies Bodhidharma as the 28th Patriarch of Buddhism in an uninterrupted line that extends all the way back to the Buddha himself. D.T. Suzuki contends that Chán's growth in popularity during the 7th and 8th centuries attracted criticism that it had "no authorized records of its direct transmission from the founder of Buddhism" and that Chán historians made Bodhidharma the 28th patriarch of Buddhism in response to such attacks.

Story of Bodhidharma
Shaolin monks and disciples follow a unique practice among Buddhists in that they greet each other using only their right hand. This greeting is a tradition which dates back to Da Mo and his disciple, Hui Ke.

In 495 AD, the Indian monk Ba Tuo, or Buddhabhadra, came to China teaching a form of Buddhism known as Xiao Sheng Buddhism. He was given land at the foot of Shaoshi mountain by Emperor Shao Wen and founded the Shaolin Temple on this land.

Around the time that Ba Tuo was founding the Shaolin Temple there was an Indian prince named Bodhidharma. Bodhidharma was very intelligent and was the favorite son of the king of a region that is now part of southern India. Bodhidharma had two older brothers who feared that their father, the king, would pass them over and bequeath the kingship to Bodhidharma. In their jealousy, the two older brothers often disparaged Bodhidharma while talking with their father, hoping to turn him against their younger brother. The older brothers also attempted to assassinate Bodhidharma but Bodhidharma had very good karma and so the attempts were not successful. Despite being the favorite son of the king, Bodhidharma realized that he was not interested in a life of politics. He chose instead to study with the famous Buddhist master Prajnatara and become a Buddhist monk.

Bodhidharma trained with his master for many years. One day he asked his master, "Master, when you pass away, where should I go? What should I do?" His master replied that he should go to Zhen Dan, which was the name for China at that time. Years later, Bodhidharma's master passed away and Bodhidharma prepared to leave for China.
During the many years that Bodhidharma had studied as a monk, one of his older brothers had become king of India and that older brother's son had become king after him. The king of India was very fond of his uncle and wanted to make amends for the actions which Bodhidharma's older brothers had taken against him. He asked Bodhidharma to stay near the capital, where he could protect and care for him, but Bodhidharma knew that he must go to China as his master had said.

Seeing that Bodhidharma would not remain, the king of India ordered that carrier pigeons be sent to China with messages asking the people of China to take care of Bodhidharma. These messages made Bodhidharma famous among many Chinese who wondered what was so special about this particular Buddhist monk that the king of India would make such a request.

In 527 AD, 32 years after Ba Tuo's founding of the Shaolin temple, Bodhidharma crossed through Guangdong province into China. In China, he was known as Da Mo. Da Mo arrived in China practicing Da Sheng (Mahayana) Buddhism. When Da Mo arrived, he was greeted by a large crowd of people who had heard of the famous Buddhist master and wished to hear him speak. Rather than speak, Da Mo sat down and began meditating. He meditated for many hours. Upon completing his meditation, Da Mo rose and walked away, saying nothing.

His actions had a profound effect upon his audience. Some people laughed, some cried, some were angry and some nodded their heads in understanding. Regardless of the emotion, everyone in the crowd had a reaction.

This incident made Da Mo even more famous, so famous that Emperor Wu heard of him. Emperor Wu, who ruled over the southern kingdom of China, invited Da Mo to come to his palace. When Da Mo arrived, Emperor Wu talked with Da Mo about Buddhism. The emperor had erected many statues and temples devoted to Buddhism. He had given much wealth to Buddhist temples. In talking of his accomplishments, Emperor Wu asked Da Mo if his actions were good. Da Mo replied that they were not. This response surprised Emperor Wu, but they continued talking and eventually Emperor Wu asked Da Mo if there was Buddha in this world. Da Mo replied that there was not.

Da Mo's replies were a reflection of Emperor Wu. By asking if his actions were good, Emperor Wu was searching for compliments and affirmation from Da Mo. Da Mo denied that Emperor Wu's actions were good because it is the duty of the emperor to care for his people. Rather than seeking compliments, Emperor Wu should have been content to help his people through Buddha. Similarly, if one asks if there is Buddha in the world, then one has already answered the question: Buddha is a matter of faith, you either believe in your heart or you do not. In questioning the existence of Buddha, Emperor Wu had demonstrated a lack of faith.

Da Mo's answers enraged Emperor Wu and he ordered Da Mo to leave his palace and never return. Da Mo simply smiled, turned and left.

Da Mo continued his journey, heading north, when he reached the city of Nanjing. In the city of Nanjing, there was a famous place called the Flower Rain Pavillion where many people gathered to speak and relax. There was a large crowd of people gathered in the Flower Rain Pavillion around a Buddhist monk, who was lecturing. This Buddhist monk was named Shen Guang.

Shen Guang had at one time been a famous general. He had killed many people in battle but one day realized that the people he had been killing had family and friends and that one day someone might come and kill him. This changed him and he decided to train as a Buddhist monk. Eventually, Shen Guang became a great speaker on Buddhism. As Da Mo neared the crowd, he listened to Shen Guang's speech. Sometimes Shen Guang would speak and Da Mo would nod his head, as if in agreement. Sometimes Shen Guang would speak and Da Mo would shake his head, as if in disagreement. As this continued, Shen Guang became very angry at the strange foreign monk who dared to disagree with him in front of this crowd. In anger, Shen Guang took the Buddhist beads from around his neck and flicked them at Da Mo. The beads struck Da Mo in his face, knocking out two of his front teeth. Da Mo immediately began bleeding. Shen Guang expected a confrontation; instead, Da Mo smiled, turned and walked away.

This reaction astounded Shen Guang, who began following after Da Mo.

Da Mo continued north until he reached the Yangzi river. Seated by the river there was an old woman with a large bundle of reeds next to her. Da Mo walked up to the old woman and asked her if he might have a reed. She replied that he might. Da Mo took a single reed, placed it upon the surface of the Yangzi river and stepped onto the reed. He was carried across the Yangzi river by the force of his chi. Seeing this, Shen Guang ran up to where the old woman sat and grabbed a handful of reeds without asking. He threw the reeds onto the Yangzi river and stepped onto them. The reeds sank beneath him and Shen Guang began drowning. The old woman saw his plight and took pity on Shen Guang, pulling him from the river. As Shen Guang lay on the ground coughing up river water, the old woman admonished him. She said that by not asking for her reeds before taking them, he had shown her disrespect and that by disrespecting her, Shen Guang had disrespected himself. The old woman also told Shen Guang that he had been searching for a master and that Da Mo, the man he was following, was that master. As she said this, the reeds which had sunk beneath Shen Guang rose again to the surface of the river and Shen Guang found himself on the reeds being carried across the Yangzi river. He reached the other side and continued following after Da Mo.

There are many people who believe that the old woman by the river was a Boddhisatva who was helping Shen Guang to end the cycle of his samsara.

At this point, Da Mo was nearing the location of the Shaolin Temple. The Shaolin monks had heard of his approach and were gathered to meet him. When Da Mo arrived, the Shaolin monks greeted him and invited him to come stay at the temple. Da Mo did not reply but he went to a cave on a mountain behind the Shaolin Temple, sat down, and began meditating. In front of the Shaolin Temple, there are five mountains: Bell Mountain, Drum Mountain, Sword Mountain, Stamp Mountain and Flag Mountain. These mountains are named after the objects which their shape resembles. Behind the Shaolin Temple there are five "Breast Mountains" which are shaped like breasts. The cave in which Da Mo chose to meditate was on one of the Breast Mountains.

Da Mo sat facing a wall in the cave and meditated for nine years. During these nine years, Shen Guang stayed outside Da Mo's cave and acted as a bodyguard for Da Mo, ensuring that no harm came to Da Mo. Periodically Shen Guang would ask Da Mo to teach him, but Da Mo never responded to Shen Guang's requests. During these nine years the Shaolin monks would also periodically invite Da Mo to come down to the Temple, where he would be much more comfortable, but Da Mo never responded. After some time, Da Mo's concentration became so intense that his image was engraved into the stone of the wall before him.

Towards the end of the nine years, the Shaolin monks decided that they must do something more for Da Mo and so they made a special room for him. They called this room the Da Mo Ting. When this room was completed at the end of the nine years, the Shaolin monks invited Da Mo to come stay in the room. Da Mo did not respond but he stood up, walked down to the room, sat down, and immediately began meditating. Shen Guang followed Da Mo to the Shaolin temple and stood guard outside Da Mo's room. Da Mo meditated in his room for another four years. Shen Guang would occasionally ask Da Mo to teach him, but Da Mo never responded.

At the end of the four-year period Shen Guang had been following Da Mo for thirteen years, but Da Mo had never said anything to Shen Guang. It was winter when the four-year period was ending and Shen Guang was standing in the snow outside the window to Da Mo's room. He was cold and became very angry. He picked up a large block of snow and ice and hurled it into Da Mo's room. The snow and ice made a loud noise as it broke inside Da Mo's room. This noise awoke Da Mo from his meditation and he looked at Shen Guang. In anger and frustration Shen Guang demanded to know when Da Mo would teach him.

Da Mo responded that he would teach Shen Guang when red snow fell from the sky.
Hearing this, something inside Shen Guang's heart changed and he took the sword he carried from his belt and cut off his left arm. He held the severed arm above his head and whirled it around. The blood from the arm froze in the cold air and fell like red snow. Seeing this, Da Mo agreed to teach Shen Guang.

Da Mo took a monk's spade and went with Shen Guang to the Drum Mountain in front of Shaolin Temple. The Drum Mountain is so called because it is very flat on top. Da Mo's unspoken message to Shen Guang was that Shen Guang should flatten his heart, just like the surface of the Drum Mountain. On this Drum Mountain Da Mo dug a well. The water of this well was bitter. Da Mo then left Shen Guang on the Drum Mountain. For an entire year, Shen Guang used the bitter water of the well to take care of all of his needs. He used it to cook, to clean, to bathe, to do everything. At the end of the first year, Shen Guang went down to Da Mo and again asked Da Mo to teach him. Da Mo returned with Shen Guang to the Drum Mountain and dug a second well. The water of this well was spicy. For an entire year, Shen Guang used the spicy water for all of his needs. At the end of the second year, Shen Guang went back down to Da Mo and asked again to be taught. Da Mo dug a third well on the Drum Mountain. The water of this third well was sour. For the third year, Shen Guang used the sour water for all of his needs. At the end of the third year, Shen Guang returned to Da Mo and agains asked to be taught. Da Mo returned to the Drum Mountain and dug a fourth and final well. The water of this well was sweet. At this point, Shen Guang realized that the four wells represented his life. Like the wells, his life would sometimes be bitter, sometimes sour, sometimes spicy and sometimes sweet. Each of these phases in his life was equally beautiful and necessary, just as each of the four seasons of the year is beautiful and necessary in its own way. Without really saying many words to Shen Guang, Da Mo had taught Shen Guang the most important of lessons in a mind-to-mind, heart-to-heart fashion. This mind-to- mind, heart-to-heart communication is called "action language" and is the foundation of the Chan Buddhism which Da Mo began at the Shaolin Temple.

Bodhidharma teachings
Bodhidharma instructed his disciples that the Lankavatara Sutra be used to seal the mind. The method of cultivating practice transmitted by Bodhidharma pointed out that we should pay attention closely to this important sutra. His major teaching is there are two paths to enter Dharma Gate: Study and Practice. Study: through the study of Buddhist sutras and scriptures, you will understand Buddha Nature. Your Buddha Nature doesn't manifest because it is clouded by defilements, such as: greed, attachment, passion, aggression and ignorance. Practice: when you follow Buddhist principles in your daily life, you discover that your Buddha Nature is equal to the Buddha's.
  1. Bao Yen Hsin: The willingness to accept, without complaining, suffering and unhappiness because you understand it is your own karma.
  2. Sui Yen Hsin: Understanding that all situations are the consequences of karmic causes, and therefore, you maintain equanimity in all circumstances, both negative and positive.
  3. Tsung Fa Hsin: Realizing through practice the essence of your Buddha Nature, which is equanimity.

Origin of China Martial Arts

There is a theory which claims Indian martial arts spread to China via the transmission of Buddhism in the early 5th or 6th centuries of the common era, and thus influenced Shaolin Kung Fu. However there is record of Chinese martial arts as early as the Qin Dynasty lasting from 221 to 207 BCE.
Elements from Indian philosophy, like the Naga, Rakshasa and the fierce Yaksha were modified and converted into the protectors of Dharma; these mythical figures from the Dharmis religions figure prominently in Shaolin boxing, Chang boxing and Stave fighting. The religious figures from Dharmic religions also figure in the movement and fighting techniques of Chinese martial arts. Various styles of kung fu are known to contain movements that are identical to the Mudra hand positions used in Hinduism and Buddhism, both of which derived from India. The 108 pressure points in Chinese martial arts are believed by some to be based on the marmam points of Indian Kalaripayattu.
Proponents who support the theory commonly cite a popular legend about a prince-turned-Buddhist monk named Bodhidharma (circa 5th century) who is said to have imparted his martial arts knowledge to the monks of the Shaolin Monastery, thereby founding Shaolin Kungfu. According to Wong Kiew Kit, the Monk's creation of Shaolin arts "...marked a watershed in the history of Kung Fu, because it led to a change of course, as Kung Fu became institutionalized. Before this, martial arts were known only in general sense." Chinese records do not agree with the presented time line, however. Various documents from the 6th and 7th centuries place him in locations around Shaolin, but never at the monastery itself. It is not until the publishing of the Precious Record of the Darma's Transmission (Chuanfa baoji) (c. 710) that Bodhidharma is said to have actually spent time in Shaolin.






Saturday 1 October 2011

Leonardo Da Vinci

When Leonardo was scrolling around the market place in Florence with his pupils he liked to visit the bird dealers. He would buy a few birds, then take them out of their cages and set them free. It was one of Leonardo's    most heartfelt desires to lift himself into the air some day. He drew a parachute, a glider and a helicopter in his sketchbook.

Leonardo wrote down his observations on birds in mirror writing, so that he would not smudge the ink as he wrote left-handed, and scribbled pictures alongside them, intended to show how birds move their wings. Leonardo regarded the observation of nature and painting as one and the same thing: art was intended to provide  a better understanding of the world.


Da Vinci's Paintings











Tuesday 27 September 2011

Giotto Di Bondone

When Giotto was ten years old his father sent him out to look after the sheep in the fields. He began to draw one of the animals on it. The famous painter Cimabue of Florence happened to pass by and asked the talented boy if he might like to work in his studio. So, Giotto became a painter.


Giotto's new fresco technique. For frescos, the paint is applied to damp plaster made of lime, sand and marble dust. Cimabue always made his assistants plaster the whole ares that could be reached from painter's scaffold.If he didn't finish painting the plastered area in a day, he continued the next day on dry plaster, but the paint did not take as well on this. Giotto plastered only as much as he could paint in a day. This is why Giotto's frescos continue to survive in such good condition.


Picture stories on the church wall. Giotto's exciting new frescos soon became as well known beyond the boundaries of Florence that he needed assistants himself to meet the demand for his pictures. It was not just rich merchants and bankers who ordered his work, but the Pope, and the King of Naples, too. Giotto painted the ceiling and walls of the Franciscan monks' church in Assisi.

Giotto's Paintings







Links
http://en.wikipedia.org/wiki/Giotto_di_Bondone
http://www.giottodibondone.org/
http://www.ibiblio.org/wm/paint/auth/giotto/